1. Background Information
Max Shulman is a 20th century American writer best known for his television and short story character Dobie Gillis, as well as for best-selling novels. His writing often focused on young people, particularly in a collegiate setting.
Charles Lamb was an English writer and essayist, best known for his Essays of Elia and for the children’s book Tales from Shakespeare, which he produced with his sister.
Thomas was a Scottish philosopher, satirical writer, essayist, historian and teacher. Considered one of the most important social commentators of its time, he presented many lectures during his lifetime with certain acclaim in the Victorian era.
2. Text Analysis
This is a piece of narration. The narrator, Dobie Gillis, a smug, self-conceited freshman in a law school succeeds too well. The protagonist struggles against two antagonists; Petey Burch, his roommate whose girlfriend ha plans to steal and Polly Espy whom he intends marry after suitable re-education. However, his efforts are absolutely in vain and he has got what he deserves. The whole story is a piece of light, humorous satire.
3. Structure of the Text
The text is divided into four parts:
Part1 (paragraph 1-3): the author’s notes to the story
Part 2 (paragraph 4-59): the deal between the narrator and his roommate
Part3 (paragraph60- 125): the narrator’s dates with Polly
Part4 (paragraph126-154): Polly’s refutation of the narrator’s confession of love
4. Key Words and Expressions
fallacy, enterprising, memorable, frontier, limp, flaccid, spongy, pedantic, passion, trauma, calculating, perspicacious, astute, dynamo, a chemist’s scales, penetrating, scalpel, dumb as an ox, impressionable, faddist, fad, be swept up in, acme, surrender to, unsanitary, unsightly, in the swim, slip into high gear, narrowly, ringing, affirm, set/lay/get one’s hands on, covet, calculated, cerebral, specification, pin-up, proportion, makings, erectness of carriage, ease of bearing, best of breeding, poise, specialty of the house, pot roast, a dipper of sauerkraut, veer, go steady, get at, greasy, mince no words, set one’s jaw, swivel, casual kick, no small dimensions, physical charm, have…at one’s finger tips, trysting place, bat one’s lashes, tug, exasperation, fight off, get nowhere, contritely, chirp, glumly, smolder, fraught, chunk, fracture, a glimmer of, hamstring, fire away, with an airy wave of hand, cretin, hammer away, let-up, a chink of light, grueling, well-heeled, acquaint…with…, matched, languish, shamble, grind one’s teeth, have sb. by the throat, frantically, vigorous, take … literally, bellow, infamy, kick up, modulate
5. Analysis of Rhetorical Devices
simile; metaphor; allusion; hyperbole; metonymy; rhetorical question; antithesis; synecdoche; parallelism;transferred epithet;understatement;mixed metaphor
6. Writing Techniques
1) Contrast: dramatic, satiric, ironic and humorous
The writer deliberately makes Polly Espy use a lot of exclamatory words like “Gee” and clipped vulgar forms like “delish”, to create the impression of a simple and rather stupid girl. This contrasts strongly with the boasting of the narrator (usage of formal and learned words like “cerebral” and thus helps to increase the force of satire and irony.
2) Sentence structure: effective, emphatic
Many elliptical sentences like “Same age, same background, but dumb as an ox” and inverted sentences like “vague though its category” are used.
3) Language usage: authentic, colorful and vivid
This feature is mainly concerned with colloquialisms like “dumb” and slangs like “nothing upstairs”.